شعرية العنوان في شعر جاسم محمد جاسم
Poetics of the Title in the Poetry of Jassim Muhammad Jassim
- الباحث
- فهد أسعد علي حسين
- المشرف
- فيصل غازي محمد النعيمي
- الجامعة
- جامعة الموصل
- الكلية / القسم
- كلية التربية للعلوم الإنسانية / اللغة العربية
- الشهادة
- ماجستير
- السنة
- 2024
- لغة الرسالة
- عربي
- الكلمات المفتاحية
- شعرية العنوان ; جاسم محمد جاسم ; الشعر العراقي ; الأدب العربي
Abstract
The title is the personal card that the text carries to identify its identity, the name by which it is inferred, and the mark that distinguishes it among texts. The importance of the title doubles when it is poetic, and when its study is determined within the framework of a poetic experience that took hold of its market more than a quarter of a century ago and is still continuing to flow. And giving, especially since it is by a poet who experienced the title poetically and critically, so he combined formulating the poetic title and living it creatively, and dealing with it academically and exploring it according to an academic vision. Based مه the importance of the title and the specificity of the experience, we chose the poetic title as the subject of our study entitled (Poetics of the title in the poetry of Jassim Muhammad Jassim); In order to shed light on a poetically fertile sample and a virgin area that did not receive its share of research and discovery compared to what previous studies dealt with in the work of this Mosulian poet. The research required that its plan be characterized by three chapters preceded by a preface, followed by an appendix, a conclusion, and a list of sources and references. We gave the first axis of the preface a title (On Poetics), as we dealt with it as one of the most important critical concepts and terminology, ancient and modern, so we briefly paused on the origins of the term in Aristotle, and we followed that by talking about the most important modern poetics. As for the second axis, we called it (in the title), and we included two parts under it. In the first, we discussed the history of the emergence of the title, how it appeared in the poetic blog in particular, and the reasons for its delayed appearance in general that led to delayed interest in it. Critically, in the second we discussed the concept of the title, its definition and importance, then we concluded the introduction with a final axis entitled (Jassim Muhammad Jassim: biographical and creative illumination) and included a brief pause that shed light on the poet’s life and introduced his poetic and critical productions. The first chapter revolved around (the structural structure of the title), which was divided into two sections following an introduction in which we discussed the concept of structure. The first section dealt with (the single title) as the most prominent dominant in the research sample, while the second focused on (the complex title), for which we selected the most dominant composite models. And versatile. {a ل
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