شعرية المبالغة في رواية (نبض) لأدهم الشرقاوي
Poetic Exaggeration in the Novel "Nabad" by Adham Al-Sharqawi
- الباحث
- إيمان يحيى قاسم يحيى العزاوي
- المشرف
- آزاد حسان حيدر
- الجامعة
- جامعة الموصل
- الكلية / القسم
- التربية للعلوم الإنسانية / اللغة العربية
- الشهادة
- ماجستير
- السنة
- 2024
- لغة الرسالة
- عربي
- الكلمات المفتاحية
- المبالغة;الشعرية;الرواية;أدهم الشرقاوي
Abstract
Exaggeration has always held a significant place in description, as critics and rhetoricians have considered it a form of excessive portrayal and exceeding limits in its general concept. They have addressed the concept of exaggeration on two levels of description: the first level involves the intensity of description and its exaggeration, while the second level considers the hierarchical arrangement of description in perception and cognition. Exaggeration in description manifests itself in three parts according to mental conception: indicating the ultimate in meaning, its completion in communication, and its amplification thereafter, known as hyperbole. Exaggeration constitutes a poetic deviation that lies in the semantic violation of linguistic norms, resulting in a breach of reason in mental imagery through rhetorical figures. Therefore, the research topic was chosen to study semantic augmentation between poeticism and exaggeration, attempting to escape the monotony of traditional rhetorical discourse, to elevate rhetoric and integrate it into modern studies focusing on poeticism, description, and narrative, aiming to achieve a synthesis between exaggeration and poeticism within a narrative framework. The research plan included an introduction and two chapters: in the introduction, we presented the concepts of poeticism and exaggeration, discussed the cognitive framework of the concept of exaggeration and its hierarchical levels in description. We then explored the semantic augmentation between exaggeration and poeticism, considering exaggeration as a poetic deviation, and subsequently the poeticism of narrative. In the first chapter, we addressed the poeticism of exaggeration in description, beginning with a theoretical framework of description, followed by the first section on ornamental description focusing on form and external appearance in topics such as emotion, war, and identity conflicts. The second section discussed interpretive description focusing on self-concealments within topics of emotion, war, and vision. The second chapter delved into the poeticism of exaggeration in narrative, starting with a theoretical framework of narrative and definitions of realistic and imaginative narratives, followed by the relationship between narrative and description / narrative images characterized by movement. The first section analyzed texts of realistic narrative exaggeration within themes of emotion, war, and vision, followed by the second section analyzing imaginative narrative exaggeration within the same themes. The research methodology employed descriptive rhetorical analysis in analyzing texts.
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