تكرار الشاهد الشعري في كتاب الخصائص لابن جني (392هـ) - دراسة لغوية

Repetition of the Poetic Witness in the Book of Characteristics by Ibn Jinni (392 AH): A Linguistic Study
البحث في الرسائل
الباحث
نوال كاظم حمود جلوب الجبوري
المشرف
حامد عبد المحسن كاظم الجنابي
الجامعة
جامعة بابل
الكلية / القسم
التربية للعلوم الإنسانية / اللغة العربية
الشهادة
ماجستير
السنة
2022
لغة الرسالة
عربي
الكلمات المفتاحية
الشاهد الشعري;ابن جني;كتاب الخصائص;الدرس اللغوي

Abstract

Praise be to God, a praise worthy of the majesty of his honorable countenance, the most honorable of faces, the most merciful of the merciful, the helper of the weak and the needy, and prayers and peace be upon the most honorable of the messengers, the evangelist, the warner, father of Al-Zahraa Fatima, upon her be the best prayer and complete the peace. But then, the Arabic language is the language of the Noble Qur’an, this great delusive language in which we are honored as a language for us, and many scholars have gone through the immersion of sailing in its sea, and it has increased them in honor, reputation and superiority, and how not?! And it is the language of the most honorable heavenly book that was revealed to the best Arab prophet, so scholars, rhetoricians, poets and linguists have scrambled to navigate it and clarify the meanings of its words and connotations, starting from Sibawayh (d: 180 AH) to this day ,And this study of mine was known as (Repetition of the Poetic Witness in the Book of Characteristics by Ibn Jinni (d: 392 AH), because the Characteristics was a scientific repository that included most phonetic, morphological, grammatical and semantic issues. Where Ibn Jinni satiated these issues with an explanation and detail, It is repeated in separate chapters or in th chapter itself, and therefore we have labeled our study with this title, and the study required that it be divided into four chapters preceded by a preface and an introduction and followed by a conclusion. As for the preface, he studied the repetition of the poetic witness, its causes and motives, and the extent of Arab interest in poetry through the ages, As for the first chapter, it was under the title (Repetition of the poetic witness in phonetic issues), and it included repetitive poetic evidence that dealt with everything related to the extension of movement,poetic necessity As for the first chapter, it was under the title (Repetition of the poetic witness in phonetic issues), and it included repeated poetic evidence that dealt with everything related to the extension of movement and poetic necessity. As for the second chapter, it was under the title (Repeating the poetic witness in morphological issues) and it included The repetitive poetic evidence that dealt with morphological issues such as substitution, morphological structures and derivation of its major and minor types. As for the third chapter, it was under the title (Repetition of the poetic witness in grammatical issues) and included the repeated poetic evidence that dealt with grammatical issues such as introduction, delay, objection of all kinds and deletion of all kinds . As for the fourth chapter, it was under the title (Repetition of the Poetic Witness in Semantic Issues) In this chapter, the repeated poetic evidence that dealt with rhetoric and fundamentalist methods was studied. As for The conclusion included the most important findings of the research. Despite the divisions that took place within the chapters, you may find overlap between the chapters. You may find phonetic evidence within the other chapters or grammatical evidence within the phonetic and morphological , The reason for this is Ibn Jinni’s glowing mentality in explaining the evidence, its interpretation and guidance when it is repeated, and we have relied on the classification of the evidence in the first chapter, because if you follow the characteristics, you will see that it is difficult to extract purely phonetic, purely morphological, or purely grammatical evidence.

طلب نسخة من الملف

الملفات غير منشورة على الموقع. اترك بياناتك وسيتواصل معك موظفو قسم الشؤون الثقافية والفنون لإرسال النسخة مجاناً.