رثاء الأصدقاء في الشعر العربي في القرن الرابع الهجري دراسة في الموضوع والفن
Friends Lamenting in Arabic Poetry in the Fourth Century of Hegira: Study in Subject and Art
- الباحث
- رؤى عبدالله كاظم
- المشرف
- ستار عبدالله جاسم
- الجامعة
- جامعة الكوفة
- الكلية / القسم
- الآداب / اللغة العربية
- الشهادة
- ماجستير
- السنة
- 2022
- لغة الرسالة
- عربي
- الكلمات المفتاحية
- رثاء الأصدقاء;الشعر العربي;القرن الرابع الهجري;الموضوع والفن
Abstract
This study includes three chapters. In the first chapter, the relationship between elegy poets and their eulogized friends was examined, because this relationship that has contributed to the production of poems that are considered among the most important of Arab poetry, and it was for great poets who represent important ranks in Arabic poetry, most notably: (Abu Al-Tayyib Al-Mutanaby, Al-Sharif Al-Rady, Al-Sharif Al-Murtada,...). The second chapter came to touch on the most prominent topics included in the poems of lamentation of friends in the fourth century for Hegira, and the most prominent topics of lamentation in those poems were represented by the values (courage, knowledge, generosity, loyalty, affection, elevation and high status), and these topics were not mentioned in vain, they are topics that have dominated the contents of these poems, and they have a close connection with the reality of the lamented friends. As for the third chapter, it was concerned with identifying the most prominent artistic and technical characteristics that characterized the poems of lamenting friends in that century. The most prominent of these characteristics were: (language, rhetorical images, and rhythm), and we discussed linguistic words in semantic fields, including: (the nouns (of famous figures), and the words of sadness and crying, and the words of friendship itself), and in the methods, we have looked at: (interrogative, vocative, imperative, and the prohibition), which had a presence in those poems, and in the image. The research noted that there is a distinct use of the means of image: (similarity, metaphor, and metonymy). In the last axis (rhythm), the two types of rhythm were studied, external (meters and rhymes), and the internal (repetition, good division, and returning the first line to the second). The poets, in employing rhythm, had largely harmonized between the musical aspect and the content aspect.
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