ظواهر أسلوبية في شعر جران العود النميري
Stylistic Phenomena in Jarran Al-Oud Al-Numairi's Poems
- الباحث
- محمد هشام صابر
- المشرف
- شيماء إدريس محمد
- الجامعة
- جامعة الموصل
- الكلية / القسم
- التربية للعلوم الإنسانية / اللغة العربية
- الشهادة
- ماجستير
- السنة
- 2022
- لغة الرسالة
- A
- الكلمات المفتاحية
- الظواهر الأسلوبية;جران العود النميري;الشعر الجاهلي;الأسلوبية
Abstract
Praise be to Almighty Allah and peace and blessing be upon his messenger Mohammed son of Abdullah (peace be upon him, his family members and his companions. Arabic poetry is still the focus point of many critics and scholars as it is characterized with high artistic features that emerge from a rich language considered as a fountain desired by people to quench their thirst and the critic can uncover its sweetness. In fact, poetry is a linguistic experience that is artistically formulated, which expresses the intents of the human, ideas, glowing emotions and therefore, the poetic language is an infant that carries many traits of its origin that distinguish it from the others in terms of the style and the way of expression. The poet Jarran AlOud AlNamri is regarded as one of the old poets whose poems hadn't been tackled with criticism for a long time until he published hi divan in its first edition narrated by AlSukkari Snaat Abi Jaafar Ibn Habeeb by the Egyptian House for Books in 1930. So, a small number of scholars specialized in the modern age paid attention to it. It is noticed that Dr. Noori Hammoodi AlQaisi studied and made commentaries and margins to the divan and added to it five long poems of the poet, which he found in the book entitled: "Muntaha AlTalab of The Poems of Arabs" by Mohammed Ibn AlMubarak. These poems are the poems that end with the sounds (lam, Haa', Faa' and Raa'). The poems involved 224 verses and B the researcher depended on this version and indicated all the notes in the margins by mentioning the word "divan" to distinguish it from the version commented by Carine Sadir that is not very much different from AlQaisi's version. The researcher made use of the two versions (narrated by AlSukkari and commented by Karin Sadir) in terms of the explaining the meanings of some words in the text. The subject of the study was chosen by the researcher after he read the poet's divan and motivated by his unique poetic talent in addition to the stylistic phenomenon that the researcher aimed at uncovering it in terms of diagnosing the artistic frameworks (musical and rhetorical), the linguistic style in dialoguing the pivots of his poetic texts and manifesting the stylistic features depending on the descriptive and analytical methods in tracking the phenomenon and describing it. The researcher was keen on mentioning an evidence for each subject and may be this evidence is repeated in various locations because the verse might involve multiple phenomena.
طلب نسخة من الملف
الملفات غير منشورة على الموقع. اترك بياناتك وسيتواصل معك موظفو قسم الشؤون الثقافية والفنون لإرسال النسخة مجاناً.