الميتاسرد في ثنائية أولاد الغيتو (إلياس خوري)

الباحث

وجدان محمود محمد سليمان

المشرف

سحر ريسان حسين

الجامعة

جامعة الموصل

الكلية / القسم

التربية للعلوم الإنسانية / اللغة العربية

الشهادة

ماجستير

السنة

2022

لغة الرسالة

A

الكلمات المفتاحية

الميتاسرد;أولاد الغيتو;إلياس خوري;الرواية العربية

Fiction writing has witnessed many important transformations, as it is a dynamic literary genre that is subject to the logic of continuous renewal and transformation. A new novel in order to arrive at a new novelist innovation that attracts and attracts the reader’s attention, and postmodernism came that brought about a qualitative transition in the course of the novel, and this transition resulted in the latest distinctive changes in literature and its form, as the novel became a free and open space for renewal in form and content, Which gave the novel new artistic dimensions and transferred it to the spaces of oppression, marginalization and the silence about it. The boundaries between the real and the imagined were erased. The narration methods were intertwined. The narrative structure was fragmented with the decline of the traditional plot, and the traditional concept of the personality and its function changed. The novel included a multiplicity of voices and points of view, and the author lost his supreme authority that He exercises it on his characters, as well as collage and gender hybridization, which opens the text to textual relationships involved. Perhaps the most important narrative techniques that are present and of interest on the part of writers and critics are the meta-narrative tendency, which made the text regress on itself, and imitate it instead of telling the reality. Metafiction came as a well-deserved postmodern trend as a reaction to traditional novels, and it brought about radical changes in the contemporary literary discourse. About art itself, i.e. a novel about a novel, or a comment on the novel, which reflected self-awareness and the internal reference to the composition of the novel and thinking about its subject and methods of creation, Therefore, many writers have deepened the tendency of meta-narratives in their fictional texts, with a desire to go beyond the prevailing trend and move towards experimentation. Through B it, the author tries to invent new techniques within a different narrative format, such as the polyphonic text, and invoke the reader as a productive reader participating in the creative process. Breaking down the boundaries between reality and fiction, so that the text turns into an independent paper world parallel to reality, and employs the phenomenon of the author’s departure from the meta-narration of the levels of storytelling through direct intervention to comment on the writing. Addressing the reader and others, and from here the novel is based on the self-reflection resulting from the author's awareness of meta-narrative methods. Thus, meta-narrative is a distinguishing mark between traditional narrative texts and postmodern texts. The study tried to strike a balance in its approach between theory and application, and the novel in its two parts under study formed a diversity of techniques and elements, which made the study take the analytical and descriptive approach, because the novel is dominated by these two approaches, supported by the theory of reception, to endow the novel with a broader and deeper study.

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