الرؤية في شعر بدر شاكر السياب: ديوانا المعبد الغريق ومنزل الأقنان أنموذجاً

الباحث

فاطمة صباح منصور عسكر

المشرف

وسن عبدالغني مال الله المختار

الجامعة

جامعة الموصل

الكلية / القسم

كلية التربية للبنات / اللغة العربية

الشهادة

ماجستير

السنة

2022

لغة الرسالة

عربي

الكلمات المفتاحية

الرؤية الشعرية ; بدر شاكر السياب ; المعبد الغريق ; الشعر الحديث

A The vision has received great importance and wide interest from scholars and researchers throughout the ages, and therefore the reason for choosing the topic came from its importance as a broad field that gives the researcher the opportunity to navigate the intellectual contents of the poet, especially with (Badr Shaker Al-Sayyab), who was distinguished by a special vision that expressed his different positions towards Being in the subjective stage of his life, which represented his struggle with illness and his feeling that his death was near, especially in the offices of the sinking temple and the house of the serfs, Within the limits of our knowledge, the sample has not been studied, and we have proceeded in it from a philosophical principle based on the opinions of critics and philosophers, adopting the analytical method in explaining Al-Sayyab’s position and point of view towards time, place and death. We did not confine ourselves to vision in its limited sense, which is the visual vision and its opposite, the dream vision, but rather we relied on the concept of a comprehensive or total vision of the critic William Blake. Whoever follows his path, such as al-Bashir, will keep his secret, and we have clarified Al-Sayyab’s viewpoint in these two books as they represent the duration of illness, and it is undoubtedly a dark and bleak vision manifested in terms of complaining about time and surrendering to it, describing that time as a dominant and indomitable force alongside the movement of becoming that deprives man of a sense of constancy , Arabic poetry means separation from the present and a tendency to the past, as it is an anthropological trend (nostalgic, not infinite), as lapse means looking at the past on the basis of (whatever it was) and subject to repetition. B Therefore, the structure of the research was established on a preface and three chapters preceded by an introduction and followed by a conclusion that included the most prominent results that the research reached. With great interest from Arab and Western philosophers alike, we came to explain the concept of vision in Arab critical thought and Western critical thought, From there, we touched on the elements of the poetic vision, which in turn were divided according to the scholars’ agreement on four elements: (displacement, imagination, image, and memory), and finally we provided an overview of the biography of the poet Badr Shaker Al-Sayyab, in which we shed light on the most prominent joints related to the formation of his poetic vision. General in the bureaus under study. As for the first chapter, it was titled Temporal Vision and Becoming, and it included a preface and two chapters. The first topic was titled Al-Sayyab’s public and private position in time, as the general axis was divided into two parts: the first, titled Adversarial Time, or the second, titled Reconciled Time, and the second axis of The topic included Al-Sayyab's special position on time. It was divided into three sections, the first included memory and nostalgia for the past, the second represented the harshness of the present - on the poet - and the third represented hope for the future in healing exclusively. The ego and the (human), while the second came under the title of the becoming of the place. While the second chapter came under the title of spatial vision and the other, and included a preface and two sections as well, the first topic came under the title of the polarity of the amiable and hostile place, while the second topic came under the title of the place and the other (human), and it included one axis, the other negative and the other positive. As for the third and final chapter, it came under the title of the position on death, and it included a preface and two sections as well. The first topic was titled The inevitability of death and confronting it, and was divided into three axes. The third and the last, it included facing death. As for the second topic of the chapter, it came with the title of the grave, a forward-looking vision, and included three axes as well. The first was entitled the grave itself, while the second bore the title of the grave of the ego, and finally the third axis came with the title of the grave of the other.

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الاسم

رقم الهاتف

البريد الإلكتروني

الغرض من الطلب (اختياري)

إرسال الطلب