جمالية التماسك النصي في شعر أمجد محمد سعيد
The Aesthetics of Textual Coherence in the Poetry of Amjad Mohammad Saeed
- الباحث
- مروه ذنون مصطفى حنود
- المشرف
- عشتار داود محمد
- الجامعة
- جامعة الموصل
- الكلية / القسم
- كلية التربية للبنات / اللغة العربية
- الشهادة
- ماجستير
- السنة
- 2023
- لغة الرسالة
- عربي
- الكلمات المفتاحية
- التماسك النصي ; أمجد محمد سعيد ; لسانيات النص ; الشعر العراقي المعاصر
Abstract
A This dissertation, titled (The Aesthetic of Textual Coherence in the Poetry of Amjad Muhammad Saeed), aims to demonstrate the aesthetics of textual coherence, through consistency and harmony and their tools, and to try to explain concepts and apply them to the poetry of Amjad Muhammad Saeed, reveal their role in achieving textual coherence, and adopt the analytical descriptive approach. The research does not aim at statistics, but rather focuses on the applied analytical side. My study of the aesthetic of textual coherence made me stand on the fact that the aesthetic in the text astonishes the reader in the poetic language, and that the ways of performing the meaning are determined by the context and harmony of the text, and here lies the aesthetic and the coherence of the text that falls under the science of the language of the text or the linguistics of the text and it is difficult to agree on a single concept and its perceptions given Due to the large number of Western and Arab scholars who referred to or talked about it, and the study proved the importance of modern linguistics in dealing with literary texts of all kinds, as it is suitable for application to the poetic text. Textual coherence is mainly in the construction and formulation of the text. The thesis was organized in an introduction, a preface, two chapters, and an appendix: each axis was specialized in explaining the phenomenon that was chosen to reveal its importance and role in finding textual coherence. The introduction includes three concepts (text linguistics, textual coherence, and aesthetics). This is followed by the first chapter, and its title was: (The Aesthetics of Textual Consistency) under which includes an introduction to the concept of consistency and three topics including the theoretical aspects as follows: (Repetition, Referral, and Connection), and after each B theoretical presentation of each element, followed by an application of the poetry of Amjad Muhammad Saeed . Then comes the second chapter, in which the theoretical and applied sides were also accompanied side by side, and it bore the title: (The Aesthetics of Textual Harmony) and included an introduction and three topics, as follows: (Disposition, Enticement, and Semantic Relations).
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