التضاد في شعر كعب بن زهير
Contradictions in the Poetry of Ka'b bin Zuhair
- الباحث
- فراس إبراهيم علي السبعاوي
- المشرف
- نهى محمد عمر الدليمي
- الجامعة
- جامعة الموصل
- الكلية / القسم
- كلية الآداب / اللغة العربية
- الشهادة
- ماجستير
- السنة
- 2022
- لغة الرسالة
- عربي
- الكلمات المفتاحية
- التضاد ; كعب بن زهير ; الشعر المخضرم ; البلاغة
Abstract
A This research studies (the contrast in the poetry of Kaab bin Zuhair), which is one of the rhetorical, literary and critical topics that scholars care about, as an artistic style that has a great impact on creating the rhythmic structure in the poetic text; As his work witnessed a common expansion at the level of modern visions, I discovered his presence in the literary text; Being one of the stylistic stimuli that the poet harnesses in building his text to raise the awareness of the recipient and motivate him to search for the meanings that stand behind him. As the opposite is one of the closest things in presence to the soul, so by mentioning it, the soul is reminded of its opposite and hostile, and if the arts of Al-Badi’ah depend and on consistency, then this consistency can be traced back to the contrast. To show its impact on the experience, it was one of the procedural tools in reading, analysis and criticism. The importance of the subject of contradiction in Ka’b bin Zuhair’s poetry is related to the value and position of the poet himself. Because of his extensive and full-fledged poetic experience of his time in the history of Arabic literature in poetry and prose; His poetry came as a representation of the conditions of his time on all aspects and levels. And by reading his book, it was found that the contrast is valuable and prestige, and it occupied a large space in his production and has an importance in clarifying the meanings of words according to multiple and different directions, whether verbal or moral. The first chapter of the thesis dealt with (the verbal contradiction), including three topics: The first topic: under the title (the antithesis of the content), which is between two words at the lexical level. It has a fundamental role in transforming the word into a supreme aesthetic value. As for the second topic, it came under the title (Contrast of Negation), B and it was known to the ancient critics as (content of Negation), its content is negation and affirmation. contextual level; It deviates from the direct lexical level The second chapter dealt with (combined antithesis), and it included two sections: The first topic: carried the title (Contrast of the Image). (Contradiction of Description) In it came the contradiction in the context of the description with various meanings on the grounds that the description is an object that can be expressed in several ways, including the method of contradiction.
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