فاعلية الصورة في ديوان ابن حزم الأندلسي (ت 456هـ)
The Effectiveness of the Image in the Collection of Ibn Hazm Al-Andalusi (d. 456 A.H.)
- الباحث
- إبتهال محسن أحمد علي
- المشرف
- نادية فتحي هادي الحيالي
- الجامعة
- جامعة الموصل
- الكلية / القسم
- كلية الآداب / اللغة العربية
- الشهادة
- ماجستير
- السنة
- 2023
- لغة الرسالة
- عربي
- الكلمات المفتاحية
- الصورة الشعرية ; ابن حزم الأندلسي ; الشعر الأندلسي ; البلاغة
Abstract
The image in poetry represented the most obvious artistic component that gives poetry its poetry with all its aesthetic and artistic features, as its value comes from its ability to create and creative production that characterizes the product of its owner. Andalusian literature has not received what it deserves from the attention of scholars and researchers, so we decided to study the image in the poetry of Ibn Hazm Al-Andalusi, and so this letter dealt with his poetic Diwan; to show the importance of this poetry in highlighting the effectiveness of the artistic image, and this is not strange, he was a poet, writer, jurist and encyclopedist in his time, and deserves a lot of studies. The research was divided into an introduction, a preface and two chapters, with a conclusion with the most important results of the study, an index of sources and references, and a summary in English. The preface came in several axes, the image was a language and a term, and in the figurative composition and then in the concept of the image among the Andalusians, and the last axis was a brief summary of the life of Ibn Hazm Al-Andalusi and the most important stages he passed through. Then came the first chapter entitled (the effectiveness of the sensory image), and it was divided into five investigations, about me(visual image), (auditory image), (tactile image), (gustatory image), and(olfactory image). The second chapter was entitled (Poetic image patterns) and was divided into four sections; (single image and composite image), (partial image and Total Image), (dialectical image), and(suggestive image).
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