البنية الإيقاعية في شعر الهذليين
The Rhythmic Structure in the Poetry of the Hudhalis
- الباحث
- هدى محمد محمود محمد
- المشرف
- صلاح احمد صالح
- الجامعة
- جامعة الموصل
- الكلية / القسم
- كلية الآداب / اللغة العربية
- الشهادة
- دكتوراه
- السنة
- 2024
- لغة الرسالة
- عربي
- الكلمات المفتاحية
- البنية الإيقاعية ; شعر الهذليين ; العروض ; الشعر الجاهلي
Abstract
A The importance of rhythm is highlighted by the fact that it contains enormous energy that contributes to enriching the sensory effects resulting from the interaction of language and its surroundings. Perhaps the close relationship between it and connotation gives it greater energy in making it one of the most important pillars of Arabic poetry, ancient and modern. It is one of the thorny terms of great complexity, and this is what led to studies. There has been a lot of serious discussion about the rhythmic structure, ancient and modern, and critics have praised its importance. But what makes the study new in the Diwan al-Hudhaliyin is that the rhythm and music of the poems are always diverse and new. The Diwan of the Hudhalines is considered one of the ancient literary works that carries great historical, cultural, and literary value. It reflects the life and style of the Arabs in the pre-Islamic and Islamic era. Their poetry is distinguished by its high poetic quality. Hence, the motivation was to choose the phenomenon of rhythm for the Diwan of the Hudhalines, and to learn about Islamic poetry as a heritage of which the Arabs are proud. Many of the poets of Hudhayl had unknown dates of death, and historians did not specify them. They were veterans between pre-Islamic times and Islam, and in the desert. This study imposed the division of the research into an introduction and two chapters followed by a conclusion. The introduction included: the concept of structure in the field of language and terminology, the concept of rhythm in the field of language and terminology, rhythm according to ancient and modern critics (Arabs and the West), the importance of rhythmic structure and its relationship to meter and music, and the introduction to the Hudhali poets. The first chapter included a study of (structural rhythm) with an introduction and two sections. The first section included: a study of B (external rhythm), which includes two topics: the first represented meter and the second represented rhyme, while the second section was devoted to studying (internal rhythm) and was based on two work columns. The first is recycling, and the second includes export. The second chapter included (vocal rhythm) with an introduction and two sections. The first section (semantic rhythm) included two topics: repetition and contrast. The second section included (verbal rhythm) with two topics. The first included parallelism, the second dealt with vocal harmony, and an appendix included an introduction to the Hudhali poets.
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