اللغة الشعرية عند عمر عناز
The Poetic Language of Omar Anaz
- الباحث
- رحمة حسن حسين
- المشرف
- أحمد محمد علي الطائي
- الجامعة
- جامعة الموصل
- الكلية / القسم
- كلية الآداب / اللغة العربية
- الشهادة
- ماجستير
- السنة
- 2024
- لغة الرسالة
- عربي
- الكلمات المفتاحية
- اللغة الشعرية ; عمر عناز ; الشعر العراقي المعاصر ; الأسلوبية
Abstract
The poetic language is considered one of the most important elements of the formulation of the poem in human literatures in general. It is in its land that the genius of poetic performance is revealed, and from its building blocks are built poetic texts whose creativity is supported by a group of artistic and aesthetic elements. Because poetry, in its essence, is a journey into the depths of language, which is the poet’s treasure, his wealth, and the source of his poetry and inspiration, as it is a unique and complex phenomenon. For this reason, it has received great attention from critics and specialists throughout various times, seeking to understand its secrets and reveal its aesthetics, because of its connection to the human mental faculty, in addition to its communicative and creative function between the poet and his reader, and its role in increasing the poeticity of words and expressions by revealing the creative side of the content of the text. It is then an embodiment of the poet's being and an expression of his feelings and psychological feelings regarding the issues and concerns that occupy him, and its role in revealing the poet's desires and inclinations. Since poetic language is primarily a linguistic activity based on the word, the essence of the poem’s creativity is the language, starting with the sound, passing through the vocabulary, and ending with the structure. If poetry is an experience, then the word manifests that experience, through which the poet expresses his worlds in a special, aesthetic way, and each experience is distinguished by characteristics that make it unique from others, on the basis that every poet has his own verbal dictionary and poetic compositions, so you find him revolving in a linguistic orbit that distinguishes him, and words that are repeated that accompany him to determine the poet’s personality and his position among his readers. Through it - that is, language - his emotions and visions are analyzed, and through it we learn about the poet’s culture, understand his feelings, and realize what disturbs the worlds of his experience. Since language is the material of writing, thought, and creativity, and because of poetry’s close connection to language, the opinion has come to the conclusion that literature is only part of the history of language. It is linked to it in a complete existential way, with the characteristics it possesses that create the uniqueness and specificity of the literary event. There is no doubt that poetry has its own language. What the poet attains through research, deliberation, and choice is for him the goal and the means to keep pace with his experience with all its contradiction, richness, and tension. The poet must then take a special path in it to be able through it to express his meanings in a way that differs from those of his contemporaries through his appropriate and astonishing investigation of the poetic saying as the muse of his imagination. He resorts to it in order to express himself and convey to us his emotional experience, which enables us to know the characteristics and features of his poetry, in addition to identifying its weaknesses and strengths, artistically and stylistically.
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