ثنائية الرواية والتاريخ في ثلاثية غرناطة لرضوى عاشور

The Duality of Literature and History in the Granada Trilogy by Radwa Ashour
البحث في الرسائل
الباحث
زينب حسين علي يونس
المشرف
حسين يوسف حسين
الجامعة
جامعة الموصل
الكلية / القسم
كلية الآداب / اللغة العربية
الشهادة
دكتوراه
السنة
2023
لغة الرسالة
عربي
الكلمات المفتاحية
الرواية والتاريخ ; ثلاثية غرناطة ; رضوى عاشور ; الرواية التاريخية

Abstract

A Critical and literary opinions and studies were and still differ, multiply, and renew about and about the arts and their various types and from multiple directions, studies and differences in opinions about what they are, naturalization, boundaries, types, terminology, and the relationships between poetry and prose over different eras, and from the opinions of Aristotle to this day, arts and humanities have been subject to multiple opinions according to For different curricula that are renewed with the renewal of human thought and change the interface of the world according to different data and signals, and in the light of these curricula, studies work to put the arts in frameworks and determinants that are in line with the basics of each art, and all these attempts fall within the framework of understanding art and establishing its origins and rules that never stop at an end. Certain, but renewed and evolving and rebellious from time to time. And if we specifically talk about the art of the novel, then studies also revolve around it, and critics gather to study it. Sometimes they differ in opinion and agree, but there is no disagreement about beauty, because the novel form is one of the important literary forms in the modern era. It has nothing to do with many other arts and sciences, it is narration, techniques and art Transforming reality into semiotics through imagination. This is why studies focused on it. They study the novel in terms of its structure, elements and genres, as well as its origins, roots, and the extent to which the art of the novel relates to society and man. Among the other aspects that critics have been studying and clarifying are: the relationship of the novel to other arts and sciences, especially Its relationship with history, so the research revolved around the form of this relationship and the quality of this connection between them.It is a matter B of disagreement between critics and novelists in several aspects, and a halo of questions forms around it, in terms of historical and artistic truthfulness and in terms of genre and naturalization. Another question they differed in answering is whether the historical novel is a historical source or not? Studies were trying to answer these questions and set a path for researchers to follow, but this is difficult in the world of art that does not adhere to controls and curricula. In this research, we follow the same orbit, the orbit of art, its types, and its association with other sciences, and the genre that we chose is the art of the novel, specifically the historical novel. The meeting of opposing, opposite, and contradictory binaries, but they are worthy of each other, such as the meeting of white and black, and their harmony despite their differences. That is why this topic was chosen, which sees creativity in the convergence of imagination with reality, which depends on the imagination of reality, specifically the imagination of history, and the extent to which the novel can carry out this delicate process, and unleash the narration in that it mixes the historical narration with the fictional narration, so that the result is a journey in a world from both directions. We aspire to reveal the method of employing history in the field of the art of the novel, how it works in a field other than its field, and the extent of the effectiveness of this employment in writing the novel. And the title ended on - the duality of art and history in the novel The Granada Trilogy by Radwa Ashour - this novel in which Radwa Ashour combined art and history by choosing an important historical era in the history of Arab-Islamic civilization, and a narration of a historical story that the Andalusian city of Granada lived through in its last ages, and the main issue In it, she is the person who lives on the margins of events, so she made him the focus and hero of the novel that celebrates the violated place and the abused person at all times and times. This is what gave the novel an advantage that entices researchers to study it, reveal its artistic aspects and dismantle its narrative structure. There are various aspects that can be studied in this novel, but what distinguishes it is its presence in the area of historical imagination, which is a source of attraction for any researcher who wants to walk the path of duality of pleasure and benefit during his study. In this study, we have tried to stop at some important points related to the historical novel in terms of its origin, characteristics, elements, and the difference between the narrator and the historian .

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