الإشارات غير اللفظية في شعر المكفوفين في العصر العباسي
Non-Verbal Signals in the Poetry of the Blind in the Abbasid Era
- الباحث
- شهد فاضل حامد علي
- المشرف
- حمد محمد فتحي الجبوري
- الجامعة
- جامعة الموصل
- الكلية / القسم
- كلية الآداب / اللغة العربية
- الشهادة
- ماجستير
- السنة
- 2024
- لغة الرسالة
- عربي
- الكلمات المفتاحية
- الإشارات غير اللفظية ; الشعراء المكفوفون ; العصر العباسي ; لغة الجسد
Abstract
A The blind poets of the Abbasid era were among the most brilliant poets. Because they are the deep sea in enriching the circles of Arabic literature, and a great wealth of the wealth of the Abbasid era and to this day..., many studies have paid attention to their poetry in terms of artistic and objective aspects and poetic purposes, which led to people accepting their poetry with great and clear warmth, as their poetry is a living model that was and still is in the world. Its website (Arabic Literature), as it carried non-verbal signs, and through it, we decided that the title should be labeled (Non-verbal signs among blind poets in the Abbasid era), and it represented a wonderful model that is considered a phenomenon in both ancient and modern Arabic poetry. Signs are the language of the body, the metaphorical expression of many connotations, and communication with non-verbal signs can be considered semiotic rhetoric that can be placed in the field of brevity. Knowing the physical sign was one of the things that was known to the Arabs, linked to public life, as everything in the surrounding life represents a sign. Indirect, body language refers to signs indicating movement that are related to the movement of the head and its organs and what is below the head, such as the neck, hands, and legs. In general, these signs are among the most widespread and common expressions of blind poets that are related to the body. Because it is related to its organs, it can be said that non-verbal communication is one of the important means of conveying the message to others by expressing it with a specific, non-verbal behavior, and this happens through channels such as facial expressions, the shape of the nose and mouth, gestures, signals, eye movements, and movements of the hands, legs, and neck. The blind Abbasid poets used these signs. To add aesthetic and artistic value, so that their poetry has moral value, containing both ecstasy and pleasure, and enhances affirmation for the reader, in addition to its appearance, which increases the text’s energy and beauty. Therefore, non- verbal signals make the idea and contemplation solidified for the reader. The study directly aims to approach poetic allusive concepts by reading them and choosing models that are compatible with the data for employing signs that play the role of a main central function that has intentionality in the text. As for the reason I chose this topic, it is a clear phenomenon in the poetry of the blind and a prominent feature that deserves study, especially in Abu Al-Ala Al-Maarri, Rabia Al-Raqqi, Ali bin Jabla, and Bashar bin Burd; And we moved away from Bashar bin Burd; This is due to the existence of a study on it at the University of Samarra, which is a doctoral B thesis, so we contented ourselves with some small evidence so that the hoof does not fall on the hoof. As for the poems of the blind, they are a sea of vocabulary, meanings, and connotations, and signs are used in all their poems. As for the studies that I relied on, they are diverse, ancient and modern sources, including: The Beauty of the Eyes and Their Secrets in Religion, Language, and Literature, Sayyed Siddiq Abdel Fattah, Egyptian Lebanese House, Cairo, 1994 AD, and Poetry of the Blind in the Abbasid Era, Dr. Adnan Obaid Ali, Dar Osama for Publishing and Distribution. , Amman, Jordan, 1999 AD, and Eyes in Arabic Poetry, Muhammad Jamil Al-Khattab, Dar Al-Hiwar, Damascus, Syria, 1st edition, 1999 AD, as well as university dissertations, as they are many, among them was, The Use of Body Language in the First and Second Abbasid Ghazal Poetry, Zaid Alaa Abd al-Rahman Hassani, Doctoral thesis, College of Education, University of Samarra, 2023 AD, as well as the correspondence of the senses in the poetry of the blind in the Abbasid era, Bashar bin Burd as a model, Ghada Khaldoun Abu Mazen, Master’s thesis, Faculty of Arts, University of Jerash, 2016 AD, and optimism and pessimism in building the artistic image of the poetry of the blind in the Abbasid era. And the use of color among blind poets, Donia Talib Al- Atabi, Master’s thesis, College of Education, Al-Mustansiriya University, 2007 AD, as these studies were the key to many closed doors related to study. In addition to explaining poetry collections by blind poets. Due to the large number of poems related to signs, I relied on selecting poetic evidence that is based on monitoring non-verbal signs and then extrapolating and analyzing them in a way that is compatible and consistent with the data of the poetic text. It came according to a plan that consisted of a preface, two chapters, and a conclusion. In the introduction, the sign was defined as a language and terminology among the ancients and moderns, the difference between a symbol and a sign, the elements of using signs, and a brief overview of the lives of blind poets. As for the first chapter, it was entitled (The main non-verbal signs of the head) under three sections. The first section dealt with (Eye signs) because of the aesthetic signs they contain related to the various eyes of the beloved among blind poets with different connotations, and the second section (Nose signs) which uses eminence, glory, dignity and strength. And valor, humiliation, and coercion, and the third topic (signs of the gap and poetry), which dealt with the use of signs of beauty, strength, chastity, honesty, love, and weakness in relation to poetry.
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